{"id":353,"date":"2012-12-10T13:27:01","date_gmt":"2012-12-10T13:27:01","guid":{"rendered":"http:\/\/www.matildecamus.com\/?page_id=353"},"modified":"2021-02-15T19:23:29","modified_gmt":"2021-02-15T19:23:29","slug":"sin-alcanzar-la-luz","status":"publish","type":"page","link":"https:\/\/www.matildecamus.com\/?page_id=353","title":{"rendered":"SIN ALCANZAR LA LUZ (1989)"},"content":{"rendered":"\n
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Comentario del libro: <\/h5>\n\n\n\n

Tras la publicaci\u00f3n del libro  CRISTALES COMO ENIGMAS<\/strong>, en el a\u00f1o 1985, Matilde recibe el II premio  de la  \u00abSelecci\u00f3n Mundial de Literatura y Arte\u00bb de la Universidad de Pontzen – Italia-  y  es nombrada Acad\u00e9mica de la Lengua en N\u00e1poles. En el a\u00f1o 1989 le editan  esta separata,  en espa\u00f1ol e italiano, con una selecci\u00f3n de poemas, de todas su obra..<\/p>\n\n\n\n

En portada una foto de Matilde Camus en la recepci\u00f3n de la \u201cCorona de Laurel\u201d en N\u00e1poles, como reconocimiento a toda su obra po\u00e9tica.<\/p>\n<\/div><\/div>\n<\/div><\/section>\n\n\n\n

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MANANTIAL DE AMOR<\/h3>\n

Eras c\u00e1lido aliento
en el cerrado cofre de mi vida.
Como nadie te v\u00ed con el esp\u00edritu
y viv\u00ed la frecuencia anunciadora
del ovillo rotundo de tu carne.
Te formaste a mi sombra, silencioso,
soplo en la altura y en el barro cielo.
Te esperaba de siempre. Present\u00eda
tu llegada de sol, de fruto nuevo,
y en mis cristales de agua
hab\u00eda un manantial
que aumentaba y crec\u00eda nuestro mar.
Brotaste, como tallo de la tierra,
para dar a mi orilla geom\u00e9trica
la dimensi\u00f3n exacta de su l\u00edmite.<\/p>\n<\/td>

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SORGENTE D’AMORE<\/h3>\n

Eri un caldo respiro
nello scrigno rinchiuso di mia vita.
Come nessuno te vidi con lo spirito
e vissi la frequenza annunciatrice
del gomitolo rotondo della tua carne.
Ti formasti all’ombra mia, silenzioso,
soffio in altura e nel loto cielo.
T’attendevo da sempre. Presentivo
il tuo arrivo di Sole, di nuovo frutto,
e nei mieli cristalli d’acqua
avevo una sorgente
che aumentava e cresceva il nostro mare.
Sbocciasti come stelo dalla terra,
per offrire alla mia sponda geometrica
la dimensione esatta del suo limite. d’ .<\/span><\/p>\n<\/td><\/tr>

 <\/td> <\/td><\/tr>
\n

R\u00cdE MI ESPERANZA<\/h3>\n

Me entristece el temor,
arde tu frente.
\u00bfQu\u00e9 tendr\u00e1s ni\u00f1o hermoso
para que tiembles?<\/p>\n

-El sol acaba de irse
hoy ya no vuelve,
y me presiona un mundo
sobre las sienes.<\/p>\n

-Prende fuerte mi mano,
no me la sueltes.
En esta noche oscura
quiero tenerte.<\/p>\n

-Te veo tan lejos, madre,
que me pareces
una virgen llorosa
junto al pesebre.<\/p>\n

Llega la madrugada,
se fue la fiebre
y r\u00ede mi esperanza
sobre tu frente.<\/p>\n<\/td>

\n

SORRIDE LA MIA SPERANZA<\/h3>\n

M’intristice il timore,
arde la tua fronte.
Cosa avrai bambino bello
perch\u00e9 tremi?<\/p>\n

– Il sole \u00e8 appena andato,
oggi pi\u00f9 non ritorna,
e mi preme un mondo
sulle tempie.<\/p>\n

-Prendi forte la mia mano,
non me la lasciare.
In questa notte oscura
voglio tenerti.<\/p>\n

-Gi\u00e0 vedo cos\u00ec lontano, madre,
che mi sembri
una vergine dolorosa
accanto al presepe.<\/p>\n

Giunge l’aurora,
va via la tua febbre
e sorride la mia speranza
sulla tua fronte.<\/p>\n<\/td><\/tr>

 <\/td> <\/td><\/tr>
\n

CORCEL EN EL TIEMPO<\/h3>\n

A ritmo de labrador
comienzo a sembrar canciones
unas plasmando emociones,
otras volcando mi amor.
 .<\/span>
Quiero dejar a mi paso
-corcel en el tiempo-, entra\u00f1a
de la inquietud que me ba\u00f1a
y del fuego en que me abraso.<\/p>\n<\/td>

\n

CORSIERE NEL TEMPO<\/h3>\n

 A ritmo di contadino
comincio a seminar canzoni:
alcune plasmando emozioni,
altre ribaltando il mio amore.<\/p>\n

Voglio lasciar al mio passo
– destriere nel tempo – indole
dell’inquietudine che mi bagna
e del fuoco con cui mi brucio.<\/p>\n<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

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Inicio libro<\/span><\/span><\/a><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Comentario del libro:  Tras la publicaci\u00f3n del libro  CRISTALES COMO ENIGMAS, en el a\u00f1o 1985, Matilde recibe el II premio  de la  \u00abSelecci\u00f3n Mundial de Literatura y Arte\u00bb de la Universidad de Pontzen – Italia-  y  es nombrada Acad\u00e9mica de la Lengua en N\u00e1poles. En el a\u00f1o 1989 le editan  esta separata,  en espa\u00f1ol e […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-353","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Matilde","author_link":"https:\/\/www.matildecamus.com\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Comentario del libro:  Tras la publicaci\u00f3n del libro  CRISTALES COMO ENIGMAS, en el a\u00f1o 1985, Matilde recibe el II premio  de la  \u00abSelecci\u00f3n Mundial de Literatura y Arte\u00bb de la Universidad de Pontzen – Italia-  y  es nombrada Acad\u00e9mica de la Lengua en N\u00e1poles. En el a\u00f1o 1989 le editan  esta separata,  en espa\u00f1ol e…","_links":{"self":[{"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=\/wp\/v2\/pages\/353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=353"}],"version-history":[{"count":17,"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=\/wp\/v2\/pages\/353\/revisions"}],"predecessor-version":[{"id":3982,"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=\/wp\/v2\/pages\/353\/revisions\/3982"}],"wp:attachment":[{"href":"https:\/\/www.matildecamus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}